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What Bill discovers there, and the difficult decision they lead him to, is narrated by the author with such restrained grace that this beautiful text becomes both enigmatic and shocking.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eA masterpiece that was rightly praised by critics.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eTHE PRESS WROTE\u003c\/b\u003e\u003cbr\u003e \u003cspan\u003eThe meticulous attention to detail in characters, setting, memory, and dramatic moments create a story you'll want to read again and again. Its deceptively simple language is impeccable.\u003c\/span\u003e\u003cbr\u003e \u003cb\u003e\u003ci\u003eBoston Globe\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eThis extraordinary short story somehow defies the gravity of its subject matter and soars into the everyday, luminous present. The details take on a supernatural clarity. The white light of a winter afternoon, the mist over a river, a woman opening the door of a bakery, a child holding his father's hand: We see these images and feel their persistent presence as we enter the life of an ordinary person in an ordinary place.\u003c\/span\u003e\u003cbr\u003e \u003cb\u003e\u003ci\u003eWall Street Journal\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eKeegan is the goddess of small things. Her ability to create entire worlds with just a few words, an entire relationship through just a few interactions, is nothing short of miraculous.\u003c\/span\u003e \u003ci\u003eLittle Things Like These\u003c\/i\u003e \u003cspan\u003eassures us that we are all capable of doing the right thing, and that kindness, like misery, is contagious. 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In her autobiography she vividly recounts how she fell in love, how she found a job, how she got drunk, how she was dumped,\u003c\/p\u003e\n\n \u003cp\u003ehow she realized that Ivan from the corner convenience store might be the only reliable man in her life and that no one, in the final analysis, can compare to her best friends. The\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAll\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWhat I Know About Love\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eIt talks about bad dates, good friends, and most importantly, the realization that you are enough.\u003c\/p\u003e\n\n \u003cp\u003eWith intelligence and insight, emotion and humor, Dolly Alderton weaves her personal stories, sarcasm and self-mockery, giving us a series of lists, recipes and conclusions that will touch the most sensitive chords of every woman, of every age – making you want to pick up the phone and tell all about this book to your friends. Something like\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBridget Jones's Diary\u003c\/em\u003e , but true from beginning to end, the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEverything I Know About Love\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eIt talks about the difficult first steps of adulthood with all its terrifying yet hopeful uncertainty.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eEXCERPTS FROM THE BOOK\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \"' \u003cem\u003eInside we are all seventeen with red lips,'\" I once read Laurence Olivier saying. I agree with him with all my heart.\"\u003c\/em\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003e\"My friends, rightly, thought it was crazy that I had become so obsessed with someone I didn't know so quickly. But I was used to it - finding a new love interest for me was always like a greedy child opening a toy on Christmas Day. I would tear off the wrapping, get frustrated trying to get it to work, play with it psychotically until it broke, and then throw the broken plastic pieces in the back of a cupboard the day after Christmas.\"\u003c\/em\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003e“After I came back, things got easier for a while. The heavy coat of sadness I had been wearing for so long was starting to lift. I made a good plan for what I wanted to do from now on. I fell deeply in love with my city again. I read Bill Bryson books about England and ate Toffee crisps. I remembered how lucky I was to live in the place where I was born, a place full of my friends. Two months after I came back I quit my job and became a freelancer. A month after that I was given a column in the Sunday Times.”\u003c\/em\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWHAT THEY HAVE SAID ABOUT THE BOOK\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003e \u003c\/em\u003e\"There is no writer like Dolly Alderton these days, and very soon the world will know it.\"\u003c\/p\u003e\n\n\u003cp\u003e —\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLisa Taddeo, #1 New York Times bestselling author\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThree\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWomen\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \"The Nora Ephron of the Tinder generation.\"\u003c\/p\u003e\n\n\u003cp\u003e —\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFinancial Times\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003e \u003c\/em\u003e\"Dolly Alderton has always been a sparkling firework of talent. She is funny, intelligent and completely dedicated to the wonders and oddities of the world.\"\u003c\/p\u003e\n\n \u003cp\u003e—\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eElizabeth Gilbert, New York Times bestselling author\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEat\u003c\/em\u003e \u003cem\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003ePray\u003c\/em\u003e \u003cem\u003e, Love\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe New York Girls\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003e \u003c\/em\u003e\"I loved it so much, I didn't want it to end, Dolly Alderton is so gifted at making others care. A rare talent.\"\u003c\/p\u003e\n\n\u003cp\u003e —\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarian Keyes\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp\u003e\"The Sunday Times columnist paints the story of her coming of age with tenderness. Alderton's portrait is an example of love. A breath of fresh air for those who have struggled – or still struggle – with the drama of the first steps of adulthood.\"\u003c\/p\u003e\n\n\u003cp\u003e —\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKirkus Reviews\u003c\/strong\u003e\u003c\/p\u003e","brand":"Dolly Alderton","offers":[{"title":"Default Title","offer_id":56380648948095,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/4343\/7439\/files\/b289386.jpg?v=1762877341"},{"product_id":"αδέσποτες-σκύλες","title":"Stray Dogs","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003ePaid assassins and students, influencers and housewives, goddesses and prostitutes: 13 short stories with heroines determined to fight before they become victims. The Stray Bitches are strong women, who solve their problems on their own, because they know that they cannot count on the help of any god. At most, they entrust themselves to the devil, since they prefer to shed other people's blood than to be used, abused, or killed. And, very importantly, they do not hesitate to laugh at themselves even in the most terrible moments, when Dalia de la Cerda's caustic irony and merciless black humor make us wonder how it is possible to laugh after what we read two paragraphs above.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eSocial criticism and black comedy combined,\u003c\/span\u003e \u003cem\u003e\u003cspan\u003eStray Dogs\u003c\/span\u003e\u003c\/em\u003e \u003cspan\u003eis the dazzling debut of one of Mexico's most exciting female voices.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-rte-preserve-empty=\"true\"\u003e \"This book is like a torrent, sweeping, dirtying, and cleansing in equal parts.\"\u003cbr\u003e Andrea Ambreau\u003c\/p\u003e\n\n\u003cp data-rte-preserve-empty=\"true\"\u003e Original title: Perras de Reserva\u003cbr\u003e Translation: Aspasia Kampyli\u003cbr\u003e Editing - Proofreading: \u003cspan\u003eMaria Gourniezaki\u003c\/span\u003e\u003cbr\u003e Cover illustration: Tania Cimatti\u003cbr\u003e Cover design - Art direction: João Linneu\/ Void\u003c\/p\u003e","brand":"Ντάλια δε λα Σέρδα","offers":[{"title":"Default Title","offer_id":56503218110847,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/4343\/7439\/files\/adespotes-skyles-1466959.jpg?v=1774519210"},{"product_id":"μπέτι-μπου","title":"Betty Boo","description":"\u003cp data-rte-preserve-empty=\"true\"\u003eNurit Iskar, a former successful crime novelist on the verge of a midlife crisis, undertakes to cover for a newspaper the investigation into the murder of a wealthy businessman in one of the most expensive private suburbs of Buenos Aires. Together with the young crime reporter, veteran Jaime Brenna, and under the supervision of the newspaper's director and her former lover, Nurit will discover a murderous pyramid that is still being built, she will contemplate death and love, she will look at the passage of time on her, she will question herself and every kind of authority around her, she will wonder about the meaning of truth and about \"the way that everyday life, the everyday, even the banal, is mixed with crime in a blend that removes the drama of horror and makes the everyday terrifying.\"\u003c\/p\u003e\n\n \u003cp data-rte-preserve-empty=\"true\"\u003e\u003c\/p\u003e\n\n\u003cp data-rte-preserve-empty=\"true\"\u003eOriginal title: Betibú\u003cbr\u003e Translation: Aspasia Kampyli\u003cbr\u003e Editing - Proofreading: Dimitris Lymberopoulos\u003cbr\u003e Cover illustration: Tania Cimatti\u003cbr\u003e Cover design - Art direction: João Linneu\/ Void\u003c\/p\u003e","brand":"Κλαούδια Πινιέιρο","offers":[{"title":"Default Title","offer_id":56503283974527,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/4343\/7439\/files\/b293672.jpg?v=1764675232"},{"product_id":"η-όπερα-των-νεκρών","title":"The Opera of the Dead","description":"\u003cp data-rte-preserve-empty=\"true\"\u003eIn a small provincial town in Minas Gerais, Rosalina lives locked in an old mansion. The first to build it was the quarrelsome Colonel Lucas Procopio, to be continued by her father, João Capistrano Honorio Cota. Cut off from the rest of the city, Rosalina has only Kikina, her mute maid, and the mansion's stopped clocks. Until the arrival of José Feliciano or Zuca Passarinho will forever transform the repetitive daily life of the sole heir of the Honorio Cota family.\u003c\/p\u003e\n\n \u003cp data-rte-preserve-empty=\"true\"\u003eHis masterpiece Autran Dourado, a tragic, baroque opera with fascinating oratorio, has been included in the UNESCO Representative List and is one of the most important works of 20th-century Brazilian literature.\u003c\/p\u003e\n\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003c\/p\u003e\n\n\u003cp data-rte-preserve-empty=\"true\"\u003e Original title: \u003cspan\u003eOpera of the Dead\u003c\/span\u003e\u003cbr\u003e Translation: \u003cspan\u003eEleni Vlachou\u003c\/span\u003e\u003cbr\u003e Editing - Proofreading: Dimitris Lymberopoulos\u003cbr\u003e Cover illustration: Tania Cimatti\u003cbr\u003e Cover design - Art direction: João Linneu\/ Void\u003c\/p\u003e","brand":"Αουτράν Ντοουράντο","offers":[{"title":"Default Title","offer_id":56503326638463,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/4343\/7439\/files\/h-opera-ton-nekrwn-7793286.jpg?v=1774519215"},{"product_id":"οι-χήρες-της-πέμπτης","title":"The Widows of Thursday","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eBehind the Wall: The newly wealthy residents of a private suburb of Buenos Aires, during the frenetic years of the economic bubble, try to maintain their standard of living at all costs.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-rte-preserve-empty=\"true\"\u003e \u003cspan\u003eBy the Pool: Four friends meet every Thursday night to play cards, undisturbed by maids, children, and spouses. But one of those Thursdays will leave behind three dead men and three widows.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp data-rte-preserve-empty=\"true\"\u003e\u003cem\u003e\u003cspan\u003eThursday Widows\u003c\/span\u003e\u003c\/em\u003e \u003cspan\u003e,\u003c\/span\u003e \u003cspan\u003ea psychological thriller which, translated into over twenty languages, is now considered a classic in its country and internationally acclaimed Claudia Piñeiro, about whom it was characteristically said on the occasion of the book: \"Hitchcock is a woman and lives in Buenos Aires\" (Antonio D'Orrico,\u003c\/span\u003e \u003cem\u003e\u003cspan\u003eCorriere della Sera\u003c\/span\u003e\u003c\/em\u003e \u003cspan\u003e).\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-rte-preserve-empty=\"true\"\u003e Original title: \u003cspan\u003eThe Widows of Thursdays\u003c\/span\u003e\u003cbr\u003e Translation: Aspasia Kampyli\u003cbr\u003e Editing - Proofreading: Dimitris Lymberopoulos\u003cbr\u003e Cover illustration: Tania Cimatti\u003cbr\u003e Cover design - Art direction: João Linneu\/ Void\u003c\/p\u003e","brand":"Κλαούδια Πινιέιρο","offers":[{"title":"Default Title","offer_id":56503390142847,"sku":null,"price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/4343\/7439\/files\/b299818.webp?v=1764675393"},{"product_id":"άδεια-σπίτια","title":"Empty Houses","description":"\u003cp class=\"\"\u003e A woman loses her child in a park. Another woman steals a child in a park.\u003c\/p\u003e\n\n\u003cp class=\"\"\u003e Two women who represent failed experiments in a world where the prescribed female roles resemble open wounds, empty bodies or empty houses, will embark on a rough path in order to complete their identity, in a kind of explosive balance between the unpredictable and the inevitable.\u003c\/p\u003e\n\n\u003cp class=\"\"\u003e Original title: Casas Vacías\u003cbr\u003e Translation: Aspasia Kampyli\u003cbr\u003e Edited by - Dimitris Lymberopoulos\u003cbr\u003e Cover illustration: Tania Cimatti  \u003cbr\u003eCover design - Art direction: João Linneu\u003c\/p\u003e","brand":"Μπρέντα Ναβάρο","offers":[{"title":"Default Title","offer_id":56503414653311,"sku":null,"price":11.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/4343\/7439\/files\/1664040-264x264-800x800-96x96-560x560.jpg?v=1764675601"},{"product_id":"δικιά-σου-για-πάντα","title":"Yours Forever","description":"\u003cp class=\"\"\u003eInes discovers that her husband is cheating on her. When all the excuses she makes to justify him fall apart, she takes action. Yesterday's devoted wife and mother, the seemingly naive and guileless housewife will end up becoming first an accomplice and then the perpetrator of a crime, in her attempt to deny the truth, to save face, to put her collapsing family back on its feet at any cost. A vitriolic psychological thriller about the deadly power of self-deception.\u003c\/p\u003e\n\n\u003cp class=\"\"\u003e Original title: Tuya \u003cbr\u003eTranslation: Aspasia Kampyli\u003cbr\u003e Editing - Proofreading: Dimitris Lymberopoulos\u003cbr\u003e Cover illustration: Tania Cimatti\u003cbr\u003e Cover design - Art direction: João Linneu\u003c\/p\u003e","brand":"Κλαούδια Πινιέιρο","offers":[{"title":"Default Title","offer_id":56503420649855,"sku":null,"price":11.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/4343\/7439\/files\/dikia-soy-ghia-panta-3044552.jpg?v=1774519211"},{"product_id":"τα-πάντα-συγχωρούνται","title":"Everything is Forgiven","description":"\u003cp class=\"\"\u003eLaura Gamato dies from a poisoned wafer on her wedding day. Her father entrusts the investigation to former insurance agent Antonio Menéndez Vigil. The investigation, during Eurocopa 2008, brings to light the story of the Gamato family, one of the families that won the Civil War and ensured that their children would also win peace.\u003c\/p\u003e\n\n\u003cp class=\"\"\u003e VI Tousquets Novel Publishers Award\u003c\/p\u003e\n\n\u003cp class=\"\"\u003e Original title: Everything is Forgiven\u003cbr\u003e Translation: Aspasia Kampyli\u003cbr\u003e Edited by - Dimitris Lymberopoulos\u003cbr\u003e Cover illustration: Tania Cimatti \u003cbr\u003eCover design - Art direction: João Linneu\u003c\/p\u003e","brand":"Ραφαέλ Ρέιχ","offers":[{"title":"Default Title","offer_id":56503423435135,"sku":null,"price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/4343\/7439\/files\/b265560.jpg?v=1764675750"},{"product_id":"οι-ξαδέλφες","title":"The Cousins","description":"\u003cp data-rte-preserve-empty=\"true\"\u003eIn Aurora Venturini's cult masterpiece, we follow the story of a poor family of women marked by birth defects in 1940s Argentina, through the eyes of Yuna, who manages to become a successful painter and gain the long-awaited financial independence. Masterfully balancing artistic vision and raw realism, Yuna narrates in a flowing manner, with spontaneity but also absolute precision, unconventionality and (dark) humor, a story of sexual abuse, murder and exploitation. With a penetrating gaze and sharp words, she speaks without taboos about the savagery of life, the cruelty of society, family, female sexuality, revenge, but also about the way in which art can become a vehicle for personal development. A voice unique in contemporary Latin American literature, unconventional, sharp and, ultimately, utterly fascinating.\u003c\/p\u003e\n\n \u003cp data-rte-preserve-empty=\"true\"\u003eOriginal title: Las primas\u003cbr\u003e Translation: Maria Athanasiadou, Theoni Kambra, Aliki Manola, Ifigenia Doumi, Konstantinos Palaiologos\u003cbr\u003e Editing - Proofreading: Vicky Porphyridou\u003cbr\u003e Cover illustration: Tania Cimatti\u003cbr\u003e Cover design - Art direction: João Linneu\/ Void\u003c\/p\u003e","brand":"Αουρόρα Βεντουρίνι","offers":[{"title":"Default Title","offer_id":56503430939007,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/4343\/7439\/files\/oi-ksadelfes-6802962.jpg?v=1774519213"},{"product_id":"η-ελένα-ξέρει","title":"Elena Knows","description":"\u003cp class=\"\"\u003e Everyone believes that Rita committed suicide. Everyone, except Elena, her mother. Because Elena knows. Because Elena, like every mother, is full of certainties that lead to uncertainties.\u003c\/p\u003e\n\n \u003cp class=\"\"\u003eA difficult journey to the capital, an old debt, and a revealing conversation make up this heartbreaking novel that reveals the hidden authoritarianism of every hypocritical society.\u003c\/p\u003e\n\n\u003cp class=\"\"\u003e Original title: Elena Sabe\u003cbr\u003e Translation: Aspasia Kampyli\u003cbr\u003e Editing - Proofreading: Alexandra Golfinopoulou, Mina Dafnomili\u003cbr\u003e Cover illustration: Tania Cimatti\u003cbr\u003e Cover design - Art direction: João Linneu\u003c\/p\u003e","brand":"Κλαούδια Πινιέιρο","offers":[{"title":"Default Title","offer_id":56503433396607,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/4343\/7439\/files\/b258130.jpg?v=1764675960"},{"product_id":"σαράκι","title":"Woodworm","description":"\u003cp class=\"\"\u003eA house made of hatred and inhabited by shadows hidden under the beds, in the cupboards, under the foundations, between the bricks of the walls. Ghosts of evil men and apparitions of holy women accompany the last two tenants, a grandmother and granddaughter, whom the villagers avoid during the day, but resort to them at night to settle scores that have remained open for years. The worm that devours the living feeds on the horror of the past, it is satisfied only with revenge, and Laila Martínez writes a novella that belongs to a new literary genre, the feminism of horror, \"as if the witches had dictated this exquisite and terrible nightmare to her\" (Mariana Enríquez).\u003c\/p\u003e\n\n \u003cp class=\"\"\u003eConsidered a \"literary achievement\" (Belén Gopegui), Saraki is constantly reprinted in Spain and translated into over ten languages.\u003c\/p\u003e\n\n\u003cp class=\"\"\u003e Original title: Carcoma\u003cbr\u003e Translation: Aspasia Kampyli\u003cbr\u003e Editing - Proofreading: Dimitris Lymberopoulos\u003cbr\u003e Cover illustration: Tania Cimatti\u003cbr\u003e Cover design - Art direction: João Linneu\u003c\/p\u003e","brand":"Λάιλα Μαρτίνεθ","offers":[{"title":"Default Title","offer_id":56503449452927,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/4343\/7439\/files\/b286860.webp?v=1764676180"},{"product_id":"το-φιλί-της-γυναίκας-αράχνης","title":"The Kiss of the Spider Woman","description":"\u003cp class=\"\"\u003eArgentina, 1975. Two prisoners in the same cell. A bizarre attempt at coexistence between a dissident and a criminal, which could only make sense in the twisted mind of a bounty hunter of the then dormant dictatorship. The prison, however, has its own laws. Within the four walls of the cell, there will be room for acrobatic flights of imagination and free diving into the dark existential paths. And for a web, which is woven with the aim of sometimes trapping and sometimes tenderly embracing.\u003c\/p\u003e\n\n \u003cp class=\"\"\u003e“Kiss of the Spider Woman” is written in 1976 in Mexico, where the author has taken refuge to escape the threats of the notorious paramilitary organization Triple A.\u003c\/p\u003e\n\n\u003cp class=\"\"\u003e The novel was banned in Argentina until 1985.\u003c\/p\u003e\n\n\u003cp class=\"\"\u003e Foreword, Marcos G. Breuer.\u003c\/p\u003e\n\n\u003cp class=\"\"\u003e Original title: The Kiss of the Spider Woman\u003cbr\u003e Translation: Aspasia Kampyli\u003cbr\u003e Editing - Proofreading: Alexandra Golfinopoulou, Mina Dafnomili\u003cbr\u003e Cover illustration: Tania Cimatti\u003cbr\u003e Cover design - Art direction: João Linneu\u003c\/p\u003e","brand":"Μανουέλ Πουίχ","offers":[{"title":"Default Title","offer_id":56503455809919,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/4343\/7439\/files\/b253203_1.jpg?v=1764676327"},{"product_id":"όχι-τον-αλιγάτορα","title":"Not the alligator!","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e \"Alligator?? No alligator!\u003cbr\u003e The alligator is not food, \u003cbr\u003eThe alligator is an animal!\u003cbr\u003e \"What a tough thing!\"\u003c\/p\u003e\n\n\u003cp data-rte-preserve-empty=\"true\"\u003e An alligator makes its appearance among socks and coats, in puppets and dollhouses, under blankets and inside school bags, causing laughter and sparking children's imagination! \u003cbr\u003eThrough the original idea of ​​the author Antonio Prata, the reader lives with Luisa and every child, young and old, a series of mischievous misunderstandings. This rare wild animal appears in the children's world from where no one expects it, completely transforming the normality of the preceding scene.\u003c\/p\u003e\n\n\u003cp data-rte-preserve-empty=\"true\"\u003e Original title: Jacaré, não!\u003cbr\u003e Translation: Eleni Vlachou\u003cbr\u003e Corrections: Aspasia Kampyli, Christina Filimonos\u003cbr\u003e Graphic design: Kostis Sotirakos\u003cbr\u003e Series editor: Myrto Steirou\u003c\/p\u003e","brand":"Antonio Prata, Talita Hoffmann","offers":[{"title":"Default Title","offer_id":56503461970303,"sku":null,"price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/4343\/7439\/files\/okhi-ton-alighatora-3803498.jpg?v=1774519213"},{"product_id":"ο-μπόμπιρας-εγώ","title":"Bobiras \u0026amp; I","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eBobiras, my dog, was very old and very tired.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-rte-preserve-empty=\"true\"\u003e \u003cspan\u003eWhen he died, a cloud started following me everywhere, soap got in my eyes, and, as if all that weren't enough, an octopus grabbed my heart.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-rte-preserve-empty=\"true\"\u003e Original title: Peque y yo\u003cbr\u003e Translation: Christina Filimonos\u003cbr\u003e Corrections: Aspasia Kampyli\u003cbr\u003e Graphic design: Kostis Sotirakos\u003cbr\u003e Series editor: Myrto Steirou\u003c\/p\u003e","brand":"Alicia Acosta, Mercè Galí","offers":[{"title":"Default Title","offer_id":56503465410943,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/4343\/7439\/files\/b298448.jpg?v=1764676479"},{"product_id":"το-δάχτυλο-στη-μύτη","title":"Finger on the nose","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e What happened to Sofia? Her nose has become huge!\u003c\/p\u003e\n\n \u003cp data-rte-preserve-empty=\"true\"\u003eHer parents have warned her, but she won't stop putting her finger in her nose. In fact, she does it to such an extent that Tim, the index finger of her left hand, has built an entire house inside Sofia's nose: he has his own library, a living room with a TV, a kitchen with his own special menu...\u003c\/p\u003e\n\n\u003cp data-rte-preserve-empty=\"true\"\u003e A fun book, with lively illustrations, that will make children laugh, but maybe also help them break a... \"favorite\" habit!\u003c\/p\u003e\n\n\u003cp data-rte-preserve-empty=\"true\"\u003e Original title: The finger in the nose\u003cbr\u003e Translation: Christina Filimonos \u003cbr\u003eCorrections: Aspasia Kampyli\u003cbr\u003e Graphic design: Kostis Sotirakos\u003cbr\u003e Series editor: Myrto Steirou\u003c\/p\u003e","brand":"Paula Merlán, Gómez","offers":[{"title":"Default Title","offer_id":56503468556671,"sku":null,"price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/4343\/7439\/files\/b291521.jpg?v=1764676542"},{"product_id":"πού-πηγαίνουμε-όταν-εξαφανιζόμαστε","title":"Where do we go when we disappear?","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e Everyone says something different about where we go when we disappear. But if we look at things in the world around us, even more ideas come to mind. Even more possibilities.\u003cbr\u003e\u003cbr\u003e So let's observe... the socks, the puddles, the rocks, or the clouds. What might they tell us about the big question that gives this book its title?\u003c\/p\u003e\n\n\u003cp data-rte-preserve-empty=\"true\"\u003e Original title: Where Do We Go When We Disappear? \u003cbr\u003eTranslation: Eleni Vlachou\u003cbr\u003e Corrections: Aspasia Kampyli, Christina Filimonos\u003cbr\u003e Graphic design: Kostis Sotirakos\u003cbr\u003e Series editor: Myrto Steirou\u003c\/p\u003e","brand":"Isabel Minhós Martins, Madalena Matoso","offers":[{"title":"Default Title","offer_id":56503471767935,"sku":null,"price":11.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/4343\/7439\/files\/b295431.jpg?v=1764676602"},{"product_id":"άγγιξε-με","title":"Touch me ","description":"\u003cdiv class=\"d-flex\"\u003e\n\n\u003cdiv class=\"col-10 text-left pl-0\"\u003e\n\n\u003cp class=\"mdc-typography--body1 text-sm-left ng-star-inserted\"\u003e The trilogy of passion - Book Three\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cp\u003e \u003ci\u003eHis heart was frozen... Until she set his body on fire...\u003c\/i\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eChristopher Moore has given up on the idea of ​​love for years. His life is an endless series of parties - and even more girls. He enjoys the\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003ea game without emotional entanglements\u003c\/b\u003e \u003cspan\u003eand he has convinced everyone that this is enough for him - everyone except himself.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eSamantha Schultz has moved on with her life. She's finishing her studies, living with her boyfriend, and trying to convince herself that she's happy. But there's always that boy:\u003c\/span\u003e \u003cb\u003eher first love\u003c\/b\u003e \u003cspan\u003e. She'll never forget him—nor will she allow another man to break her heart like Christopher.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eUntil Christopher's sister moves in, and fate brings them together so that Samantha lives just down the street...\u003c\/span\u003e \u003cb\u003eMemories and desire drag them into a whirlwind\u003c\/b\u003e \u003cspan\u003eof love, lies, and pleasure. But when guilt and fear make Samantha run away, Christopher must fight for what was always his...\u003c\/span\u003e\u003c\/p\u003e","brand":"Jackson A. L.","offers":[{"title":"Default Title","offer_id":56556633227647,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/4343\/7439\/files\/aghghikse-me-4896809.jpg?v=1782722469"},{"product_id":"η-ώρα-του-βρέφους","title":"The time of the baby ","description":"\u003csection data-name=\"Οπισθόφυλλο\" data-snippet=\"s_text_block\" class=\"s_text_block pt40 pb40 o_colored_level o_half_screen_height s_custom_snippet o_cc o_cc3\"\u003e\n\u003cdiv class=\"s_allow_columns o_container_small\"\u003e\n\n \u003cp\u003eThe 1960s have arrived, and so has electricity, but life in Faha—a small Irish village permanently drenched in rain—seems to have changed little. At least not for Jack Troy, the village doctor. Two of his three daughters may have left, but Ronnie has stayed, and together they continue to care for the ever-sick community.\u003c\/p\u003e\n\n \u003cp\u003eA few weeks before Christmas 1962, an abandoned baby is found outside the village church. And while the feeling reigns that everything is heading steadily towards its inevitable decay, the brazen arrival of new life will shock the wisdom of the world. \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e\n\u003csection data-name=\"Blurbs\" data-snippet=\"s_text_block\" class=\"s_text_block pb40 o_colored_level s_custom_snippet o_half_screen_height pt96 o_cc o_cc3\"\u003e\n\u003cdiv class=\"s_allow_columns o_container_small\"\u003e\n\n\u003cp\u003e \u003cspan class=\"text-o-color-3\"\u003e\"Perhaps the most beautifully written novel I've read this year, in every line\"\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cb\u003e\u003ci\u003eThe Washington Post\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan class=\"text-o-color-3\"\u003e\"I cried... Williams reminds us of our universal humanity, and the vitality of a community in unity\"\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cb\u003e\u003ci\u003eThe New York Times\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan class=\"text-o-color-3\"\u003e\"An irresistible emotional experience that doesn't let up until the final dramatic climax\"\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cb\u003e\u003ci\u003eThe Guardian\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan class=\"text-o-color-3\"\u003e\"His language is exquisite, his use of figures of austerity and irony is masterful, his portrayal of the characters is wonderful\"\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cb\u003e\u003ci\u003eThe Observer\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan class=\"text-o-color-3\"\u003e\"It gives the reader an unparalleled sense of closeness to the magical\"\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cb\u003e\u003ci\u003eNPR\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan class=\"text-o-color-3\"\u003e\"The subtlety with which Williams renders the mystery of interactions, human and divine, offers a quiet warmth\"\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cb\u003e\u003ci\u003eFinancial Times\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003ch5\u003e\u003c\/h5\u003e\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e","brand":"Νάιαλ Ουίλλιαμς","offers":[{"title":"Default Title","offer_id":56585353822591,"sku":null,"price":16.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/4343\/7439\/files\/h-wra-toy-vrefoys-1633898.jpg?v=1782722471"},{"product_id":"οι-άγγλοι-καταλαβαίνουν-το-μαλλί","title":"The English understand wool ","description":"\u003csection class=\"s_text_block pt40 pb40 o_colored_level o_half_screen_height o_cc o_cc2 s_custom_snippet\" data-snippet=\"s_text_block\" data-name=\"Οπισθόφυλλο\"\u003e\n\u003cdiv class=\"s_allow_columns o_container_small\"\u003e\n\n\u003cp\u003e \"Maman was exigeante—there is no word like French—in matters of protocol. Lunch, afternoon tea, and dinner were served with all formality. In my father's presence we spoke English; if it was just the two of us, French.\"\u003c\/p\u003e\n\n \u003cp\u003eSeventeen-year-old Marguerite has one concern: not to succumb to any inelegant behavior. One must prove that one understands at all times what good taste demands. One must practice Bach daily. One must buy one's tweeds in Scotland but sew them in England.\u003c\/p\u003e\n\n \u003cp\u003eDuring a trip to London, all the facts of Marguerite's life will be turned upside down. Will she be able to defend herself with the equipment that her maman offered her? How will she face the big New York publishers who are fighting over her story?\u003c\/p\u003e\n\n\u003cp\u003e A brilliantly cold novel about the concept of hypocrisy and the limits of immorality. \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e\n\u003csection class=\"s_text_block pt40 pb40 o_colored_level s_custom_snippet o_half_screen_height\" data-snippet=\"s_text_block\" data-name=\"Οπισθόφυλλο\"\u003e\n\u003cdiv class=\"s_allow_columns o_container_small\"\u003e\n\n\u003cp\u003e \"Wonderfully heartless style\"\u003c\/p\u003e\n\n\u003cp\u003e \u003cb\u003e\u003cem\u003eThe New Yorker\u003c\/em\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003e \"A comic gem from an eccentric genius of our time\"\u003c\/p\u003e\n\n\u003cp\u003e \u003cb\u003e\u003cem\u003eWall Street Journal\u003c\/em\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003e \"The perfect introduction to the anarchist pleasures of De Witt's literature\"\u003c\/p\u003e\n\n \u003cp\u003e\u003cb\u003e\u003cem\u003eLos Angeles Times\u003c\/em\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003e \"One of our most original writers. With wonderfully satirical arrows against the publishing industry and the hypocrisy of commercialized narratives of trauma\"\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cb\u003e\u003cem\u003eWashington Post\u003c\/em\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003e \"De Witt's best and funniest book—and that, given the standard she has set with the rest of her work, is an achievement in itself\"\u003c\/p\u003e\n\n\u003cp\u003e \u003cb\u003e\u003cem\u003eThe Times Literary Supplement\u003c\/em\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e","brand":"Έλεν Ντε Γουίτ","offers":[{"title":"Default Title","offer_id":56585383313791,"sku":null,"price":11.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/4343\/7439\/files\/oi-aghghloi-katalavainoyn-to-malli-4246317.jpg?v=1782722470"},{"product_id":"μια-ερμίνα-στο-τσέρνοπολ","title":"An ermine in Chernobyl ","description":"\u003csection class=\"s_text_block pt40 pb40 o_colored_level o_half_screen_height o_cc o_cc2 s_custom_snippet\" data-snippet=\"s_text_block\" data-name=\"Οπισθόφυλλο\"\u003e\n\u003cdiv class=\"s_allow_columns o_container_small\"\u003e\n\n \u003cp\u003eThe Great War is over, and Chernobyl has passed from the defeated Austria-Hungary to the Kingdom of Romania. In the streets of this Babel, where History has washed away languages, races, and religions, the only value is survival, and the only art is mockery. In Chernobyl, everything is permitted — everything, except seriousness.\u003c\/p\u003e\n\n \u003cp\u003eHow long can such a city withstand the rigid honor of Sergeant Tildy, \"The German,\" as he is mockingly called in Chernobyl? A tragicomic remnant of a world that doesn't know it's dead, Tildy and his wounded dignity will become the cause of a conflict between everyone.\u003c\/p\u003e\n\n\u003cp\u003e Through the eyes of a child who grows and changes with his place and time, Retsori recreates with thoughtful cheerfulness a \"Balkan\" world, fluid and anarchic, where life seethes in all its triviality. \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e\n\u003csection class=\"s_text_block o_colored_level o_half_screen_height pb80 pt56\" data-snippet=\"s_text_block\" data-name=\"Κείμενο\"\u003e\n\u003cdiv class=\"s_allow_columns o_container_small\"\u003e\n\n\u003cp\u003e \u003cspan class=\"text-o-color-3\"\u003e\"A masterpiece\"\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan class=\"text-o-color-3\"\u003e\u003cb\u003e\u003ci\u003eThe New York Times\u003c\/i\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan class=\"text-o-color-3\"\u003e\"Incredibly intelligent, with a humor that reaches deep into the darkness of things\"\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan class=\"text-o-color-3\"\u003e\u003cb\u003eDaniel Kehlmann\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan class=\"text-o-color-3\"\u003e\"A wonderful book—literally, a book full of wonders. The\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAn ermine in Chernobyl\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ecan now take its place on the shelf next to the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTin drum\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eand the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\"One Hundred Years of Solitude\"\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan class=\"text-o-color-3\"\u003e\u003cb\u003eJohn Banville\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan class=\"text-o-color-3\"\u003e\"Any reader of European literature who has not read Rezzori has committed the unthinkable. Here we have the rare author who writes with unparalleled beauty and craftsmanship, while glorifying the joys of life\"\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan class=\"text-o-color-3\"\u003e\u003cb\u003eGary Shteyngart\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan class=\"text-o-color-3\"\u003e\"Rezzori is the precursor of what the Western world is transforming into and is only now beginning to experience\"\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cb\u003e\u003cspan class=\"text-o-color-3\"\u003eClaudio Magris\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e","brand":"Γκρέγκορ φον Ρετσόρι","offers":[{"title":"Default Title","offer_id":56585444393343,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/4343\/7439\/files\/mia-ermina-sto-tsernopol-6544864.jpg?v=1782722472"},{"product_id":"ας-πούμε-πως-είμαι-εγώ","title":"Let's say it's me. ","description":"\u003csection class=\"s_text_block pt40 pb40 o_colored_level o_cc o_cc2 s_custom_snippet o_half_screen_height\" data-snippet=\"s_text_block\" data-name=\"Οπισθόφυλλο\"\u003e\n\u003cdiv class=\"s_allow_columns o_container_small\"\u003e\n\n\u003cp class=\"o_default_snippet_text\"\u003e \u003cspan class=\"h5-fs\"\u003e\u003cspan class=\"text-o-color-5\"\u003e\u003cspan\u003eSTREGA YOUTH AWARD\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"o_default_snippet_text\"\u003e\u003cspan class=\"h5-fs\"\u003e\u003cspan class=\"text-o-color-5\"\u003e\u003cspan\u003eCANDIDATE FOR THE BOOKER INTERNATIONAL PRIZE 2024\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"o_default_snippet_text\"\u003e Veronica grows up in Rome, in the late 20th and early 21st centuries. Or rather, she tries to grow up, because she has no idea how this job is done. Her family is an ordinary Italian family, that is, a tangle of neuroses, monomanias and anxieties. Her relationships with men are unstable and chaotic - a bit like her relationship with reality itself.\u003c\/p\u003e\n\n \u003cp class=\"o_default_snippet_text\"\u003eToday, now grown up, writer Veronica Raimo reflects on how she got here, and she does so in the only way that is truly possible: with a corrosive and hilarious, sarcastic yet tender regression between the dubious truths and the half-lies with which we construct ourselves. \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e\n\u003csection class=\"s_text_block o_colored_level s_custom_snippet o_cc o_cc2 pt16 pb16 o_half_screen_height\" data-snippet=\"s_text_block\" data-name=\"Οπισθόφυλλο\"\u003e\n\u003cdiv class=\"s_allow_columns o_container_small\"\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cspan class=\"text-o-color-4\"\u003e\"No one handles speech with such directness and flexibility at the same time, no one knows how to create so much liveliness with so little... Veronica Raimo is an amazing comedian.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan class=\"text-o-color-4\"\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan\u003eThe Stamp\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"o_default_snippet_text\"\u003e \u003cspan class=\"text-o-color-4\"\u003e\u003cspan\u003e\"Raimo gives us an unholy yet tender family portrait that captivates us from its very first lines.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"o_default_snippet_text\"\u003e \u003cspan class=\"text-o-color-4\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003eCorriere della Sera\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan class=\"text-o-color-4\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"o_default_snippet_text\"\u003e\u003cspan class=\"text-o-color-4\"\u003e\u003cspan\u003e\"Life's problems are automatically transformed into comedy thanks to Raimo's clear gaze and sharp writing.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"o_default_snippet_text\"\u003e \u003cspan class=\"text-o-color-4\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003eThe Republic\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan class=\"text-o-color-4\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"o_default_snippet_text\"\u003e\u003cspan class=\"text-o-color-4\"\u003e\u003cspan\u003e\"To free herself from a family in which love has turned into excess, the author chooses burlesque.\"\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan class=\"text-o-color-4\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"o_default_snippet_text\"\u003e\u003cspan class=\"text-o-color-4\"\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan\u003eLe Figaro\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan class=\"text-o-color-4\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"o_default_snippet_text\"\u003e\u003cspan class=\"text-o-color-4\"\u003e\u003cspan\u003e\"A witty and multi-layered portrait of a woman as she becomes herself.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"o_default_snippet_text\"\u003e \u003cspan class=\"text-o-color-4\"\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan\u003eThe Times\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan class=\"text-o-color-4\"\u003e    \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"o_default_snippet_text\"\u003e\u003cspan class=\"text-o-color-4\"\u003e\u003cspan\u003e\"Funny, quirky, wonderfully melancholic.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"o_default_snippet_text\"\u003e\u003cspan class=\"text-o-color-4\"\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan\u003eFrankfurter Allgemeine Zeitung\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e","brand":"Βερόνικα Ράιμο","offers":[{"title":"Default Title","offer_id":56585496527231,"sku":null,"price":14.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/4343\/7439\/files\/as-poume-pos-imai-eghw-4118443.jpg?v=1782722473"}],"url":"https:\/\/bookaholicsshop.com\/en\/collections\/translated-literature.oembed?page=8","provider":"Bookaholics","version":"1.0","type":"link"}